The screen is still wet; watching a performance we witness time diluting, slipping between location and gaze, reinforced by the movement of a performer that seems to slip from TV screen in Clumsy, blinking, swirling machines (2021), and into a smoky pink and purple bathed hallway, cuddling with neon lights, spinning fetishism, lifting herself up upon her collaborator’s tender frame, in Seedy Pink (2021), a performance where participating bodies aim to drop their terrestrial attributes to the ground. Our appetite opens wide for making eye contact with an impulsive body shifting between participation and detachment, a slipping, hidden negotiator for attention in the midst of a techno-sensual affair.

The screen is still wet; watching a performance we witness time diluting, slipping between location and gaze, reinforced by the movement of a performer that seems to slip from TV screen in Clumsy, blinking, swirling machines (2021), and into a smoky pink and purple bathed hallway, cuddling with neon lights, spinning fetishism, lifting herself up upon her collaborator’s tender frame, in Seedy Pink (2021), a performance where participating bodies aim to drop their terrestrial attributes to the ground. Our appetite opens wide for making eye contact with an impulsive body shifting between participation and detachment, a slipping, hidden negotiator for attention in the midst of a techno-sensual affair.